Tangled Up in Dylan, Part 4: Cry a While

This is one of those songs that has to be heard; reading the lyrics don't do it justice. It typifies the "new" Dylan sound of his later releases. This will be the last installment of "Tangled Up in Dylan" for a while, so jump into the comments and share some thoughts on the lyrics:

Well, I had to go down and see a guy named Mr. Goldsmith
A nasty, dirty, double-crossin', back-stabbin' phony I didn't wanna have to be dealin' with
But I did it for you and all you gave me was a smile
Well, I cried for you - now it's your turn to cry awhile

I don't carry dead weight - I'm no flash in the pan
All right, I'll set you straight, can't you see I'm a union man?
I'm lettin' the cat out of the cage, I'm keeping a low profile
Well, I cried for you - now it's your turn, you can cry awhile

Feel like a fighting rooster - feel better than I ever felt
But the Pennsylvania line's in an awful mess and the Denver road is about to melt
I went to the church house, every day I go an extra mile
Well, I cried for you - now it's your turn, you can cry awhile

Last night 'cross the alley there was a pounding on the walls
It must have been Don Pasquale makin' a two a.m. booty call
To break a trusting heart like mine was just your style
Well, I cried for you - now it's your turn to cry awhile

I'm on the fringes of the night, fighting back tears that I can't control
Some people they ain't human, they got no heart or soul
Well, I'm crying to The Lord - I'm tryin' to be meek and mild
Yes, I cried for you - now it's your turn, you can cry awhile

Well, there's preachers in the pulpits and babies in the cribs
I'm longin' for that sweet fat that sticks to your ribs
I'm gonna buy me a barrel of whiskey - I'll die before I turn senile
Well, I cried for you - now it's your turn, you can cry awhile

Well, you bet on a horse and it ran on the wrong way
I always said you'd be sorry and today could be the day
I might need a good lawyer, could be your funeral, my trial
Well, I cried for you, now it's your turn, you can cry awhile



Copyright © 2001 Special Rider Music

Columbia Records

Tangled Up in Dylan, Part 3: Property Of Jesus

Here I offer up for discussion the lyrics of the 1981 "Shot of Love" single, "Property of Jesus":

Go ahead and talk about him because he makes you doubt,
Because he has denied himself the things that you can't live without.
Laugh at him behind his back just like the others do,
Remind him of what he used to be when he comes walkin' through.

He's the property of Jesus
Resent him to the bone
You got something better
You've got a heart of stone

Stop your conversation when he passes on the street,
Hope he falls upon himself, oh, won't that be sweet
Because he can't be exploited by superstition anymore
Because he can't be bribed or bought by the things that you adore.

He's the property of Jesus
Resent him to the bone
You got something better
You've got a heart of stone

When the whip that's keeping you in line doesn't make him jump,
Say he's hard-of-hearin', say that he's a chump.
Say he's out of step with reality as you try to test his nerve
Because he doesn't pay no tribute to the king that you serve.

He's the property of Jesus
Resent him to the bone
You got something better
You've got a heart of stone

Say that he's a loser 'cause he got no common sense
Because he don't increase his worth at someone else's expense.
Because he's not afraid of trying, 'cause he don't look at you and smile,
'Cause he doesn't tell you jokes or fairy tales, say he's got no style.

He's the property of Jesus
Resent him to the bone
You got something better
You've got a heart of stone

You can laugh at salvation, you can play Olympic games,
You think that when you rest at last you'll go back from where you came.
But you've picked up quite a story and you've changed since the womb.
What happened to the real you, you've been captured but by whom?

He's the property of Jesus
Resent him to the bone
You got something better
You've got a heart of stone


Copyright © 1981 Special Rider Music

Tangled Up in Dylan, Part 2: Shelter from the Storm

In the comments section, I hope we can get a good discussion going on about the lyrics posted below. "Shelter from the Storm" was first released on the 1975 "Blood on the Tracks."


'Twas in another lifetime, one of toil and blood
When blackness was a virtue and the road was full of mud
I came in from the wilderness, a creature void of form.
"Come in," she said,
"I'll give you shelter from the storm."

And if I pass this way again, you can rest assured
I'll always do my best for her, on that I give my word
In a world of steel-eyed death, and men who are fighting to be warm.
"Come in," she said,
"I'll give you shelter from the storm."

Not a word was spoke between us, there was little risk involved
Everything up to that point had been left unresolved.
Try imagining a place where it's always safe and warm.
"Come in," she said,
"I'll give you shelter from the storm."

I was burned out from exhaustion, buried in the hail,
Poisoned in the bushes an' blown out on the trail,
Hunted like a crocodile, ravaged in the corn.
"Come in," she said,
"I'll give you shelter from the storm."

Suddenly I turned around and she was standin' there
With silver bracelets on her wrists and flowers in her hair.
She walked up to me so gracefully and took my crown of thorns.
"Come in," she said,
"I'll give you shelter from the storm."

Now there's a wall between us, somethin' there's been lost
I took too much for granted, got my signals crossed.
Just to think that it all began on a long-forgotten morn.
"Come in," she said,
"I'll give you shelter from the storm."

Well, the deputy walks on hard nails and the preacher rides a mount
But nothing really matters much, it's doom alone that counts
And the one-eyed undertaker, he blows a futile horn.
"Come in," she said,
"I'll give you shelter from the storm."

I've heard newborn babies wailin' like a mournin' dove
And old men with broken teeth stranded without love.
Do I understand your question, man, is it hopeless and forlorn?
"Come in," she said,
"I'll give you shelter from the storm."

In a little hilltop village, they gambled for my clothes
I bargained for salvation an' they gave me a lethal dose.
I offered up my innocence and got repaid with scorn.
"Come in," she said,
"I'll give you shelter from the storm."

Well, I'm livin' in a foreign country but I'm bound to cross the line
Beauty walks a razor's edge, someday I'll make it mine.
If I could only turn back the clock to when God and her were born.
"Come in," she said,
"I'll give you shelter from the storm."


Copyright © 1974 Ram's Horn Music

Tangled Up in Dylan, Part 1: It Ain't Me Babe

Jump into the comments and let's discuss what's going on in this song, first released on "Another Side of Bob Dylan" (1964):


Go 'way from my window,
Leave at your own chosen speed.
I'm not the one you want, babe,
I'm not the one you need.
You say you're lookin' for someone
Never weak but always strong,
To protect you an' defend you
Whether you are right or wrong,
Someone to open each and every door,
But it ain't me, babe,
No, no, no, it ain't me, babe,
It ain't me you're lookin' for, babe.

Go lightly from the ledge, babe,
Go lightly on the ground.
I'm not the one you want, babe,
I will only let you down.
You say you're lookin' for someone
Who will promise never to part,
Someone to close his eyes for you,
Someone to close his heart,
Someone who will die for you an' more,
But it ain't me, babe,
No, no, no, it ain't me, babe,
It ain't me you're lookin' for, babe.

Go melt back into the night, babe,
Everything inside is made of stone.
There's nothing in here moving
An' anyway I'm not alone.
You say you're looking for someone
Who'll pick you up each time you fall,
To gather flowers constantly
An' to come each time you call,
A lover for your life an' nothing more,
But it ain't me, babe,
No, no, no, it ain't me, babe,
It ain't me you're lookin' for, babe.


Copyright © 1964; renewed 1992 Special Rider Music

Tangled Up in Dylan: Introduction

I have just finished reading Bob Dylan and Philosophy, edited by Peter Vernezze and Carl J. Porter, an installment in Open Court's "Popular Culture and Philosophy" series. Having read several volumes in this series, I found this one to be more engaging than the others. It seems to be truer to philosophical issues and to the subject (Dylan, in this case) than the other volumes I have read. Reading it has plunged me into the world of Dylan's music once again. I have gone through several "Dylan-phases" in my life, preferring earlier works, later works, acoustic works, electric works, at various points in the journey. Now I find myself enthralled by it all: the songs I resonate with, the songs I don't, and the ones I don't get (and there are plenty of them).

In the following several posts, I am going to paste some Dylan lyrics, and offer no commentary in the post. But what I would like to do is open the comments for a discussion on what is going on in the lyrics. Also, in the comments, if there are specific Dylan works you want to explore, suggest them and it will be done.